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| Chanters in the church of St. Ignatius Skete |
Perhaps, it is unnecessary to say that chanting obedience is one of the most important obediences in the monastery. Pious, attentive singing does not simply adorn the service, but through it a special prayerful mood of all those present in the church is created.
The monastery choir was formed in 1994, immediately upon the renovation of the abode. At first the chanting obedience had only three people, today there are fourteen chanters. The ancient Russian church singing whose origins go back to the ancient chanting system of Byzantium, is being revived in the abode. Znamenny, demestvenny, and putevoy are the main ancient chants. Until the middle of the XVII century namely these chants resounded in all the Orthodox Churches in Russia. Their melodies impact the listener in a particular way, they lead one's soul away from the earthly vanity and tune it toward prayer.
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| Chants copied by sisters |
The melodies are written in special signs (or "hooks") which were used for recording the melodies of ancient chants. They are different from the modern notation in that a single hook can signify several sounds (two ascending or two descending sounds, a melodic group consisting of several sounds, as well as an entire musical phrase). In antiquity these signs also pointed to the character of performance, for example, "to voice out with radiance and dignity," "to quaver and curl with the larynx," "to jerk with the throat twice," and others.
To select the repertoire of church pieces, sisters use copies of some of the ancient manuscripts from Kirillo-Belozersky, Solovetsky, and other monasteries. The script there is small and hard to read, and for the convenience of performance sisters copy the music themselves, trying to preserve the ancient style of script and design of manuscripts. For solving many unavoidably arising problems, sisters turn to the specialists of St.-Petersburg and Moscow who do research of ancient manuscripts.
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| At the lesson |
Ancient Russian church chant originated on the basis of the ancient Byzantine chant, so sisters undertake the attempts to revive this tradition as well. For example, the chants at the service are performed according to the Byzantine fashion, with eson. Eson is an unceasingly lasting sound against which the melody is sung. In antiquity it was considered the main element of singing, a symbol of eternity.
In the future we plan to produce a compact disk with the recording of church chants performed by the sisters.
* Sisters express their profound gratitude to Daniil Syapin who carried out the reconstruction of these music pieces.