The Novo-Tikhvin Women's Monastery
 
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Russian Version
Српска верзија

Main Page
Feasts and Weekdays
Exhibition in St. Petersburg
A Visit to Annushka
The tour of the Vladimir and Suzdal land
Patronal Festival
Great Schema
Good Part
New Embroidery
Hieromartyr Konstantin
The main holiday
Electronic library
Cathedral on Blood
Schema-nun Evfrosiniya
The Consecration
   Photoalbum
The Bishop’s Vestments
The All Saints Fund
The Monastery Archives
The Embroidered Gonfalons
The events of 2002
Obedience
The Catholicon
From the monastery’s spiritual father
Pilgrimage
Charity Projects
Photo-album
Greeting Cards
Contact Information

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Site Updates:

30 August 2023
Section Feasts and Weekdays was refreshed. There a story A book about general Ilya Leonidovich Tatishchev appeared


24 November 2022
Section Feasts and Weekdays was refreshed. There a talk by schema-archimandrite Abraham Invincible weapon appeared


29 August 2022
Section Feasts and Weekdays was refreshed. There a story The events of the sunny August appeared


13 June 2022
Section Feasts and Weekdays was refreshed. There a story Faithful for good. A monument to prince Dolgorukov, general Tatishchev, sailor Nagorny, and boatswain Sednev appeared



Hand-painted icons by the sisters of the Monastery

The new Embroidery

The order for Sarov and Diveevo required the participation of the sisters from the sewing workshop as well as those who work in embroidery. The former made several dozen sets of priestly vestments and sticharia, while the latter designed and produced embroidery for liturgical aers and chalice covers. The large size of the aers (50 by 70 cm.) made it possible to work through the entire color spectrum in the icons embroidered on them. For example, up to fifteen colors were used in embroidering the faces on the icons, and in the clothing the emphasis was placed on color resolution: folds, shadows and highlights were worked out in full. Even the monochromatic parts of the icons were embroidered with a variety of styles and textures. In all, for each icon over sixty different shades of thread were used. The icon of the Placing in the Tomb was embroidered on white velvet, while the icon of the Holy Trinity was embroidered on green velvet. The icons for the embroidery were designed by sisters from the icon-painting studio, who gave constant help and advice to the sisters of the sewing workshop as they worked to complete the order.

Placing in the Tomb The Holy Trinity
Placing in the Tomb The Holy Trinity

Also read:
The monastery embroidery

 

 

 

 

 

 

 

 

 

 

 

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All of the icons on the site are painted by the sisters of the monastery

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